|
Monuments Inside The Agra
Fort
Jahangir Mahal
Undoubtedly,
the most noteworthy building inside Agra Fort is the Jahangir
Mahal (Jahangir's Palace), which was the principal zenana
palace (palace for women belonging to the royal household), used
mainly by the Rajput wives of Akbar. A splendid gateway leads to
an interior courtyard surrounded by grand halls covered with
profuse carvings on stone, heavily fashioned brackets, piers,
and crossbeams. One can still spot remnants of decoration in
gold and blue done in the prevalent Persian style. Jahangiri
Mahal mixes Transoxanian (Central Asian) features, such as the
verandah on the east front with its high slender columns (a
translation into stone of the timber iwan of vernacular
Transoxanian architecture), with courtyard halls styled in the
broader Gujarat-Malwa-Rajasthan tradition as it had been passed
onto the Mughals by the early 16th-century architecture of Raja
Man Singh of Gwalior. This exotic medley and adventurous
eclecticism suggests a daring approach in architecture. The
typically Gujarati brackets-fabulously carved animal and floral
motifs-register a dominating effect on the few Islamic features
such as the verandah on the eastern front with exquisitely
slender pillars facing the riverfront. Jahangiri Mahal is the
most important building of the Akbari period in the Agra Fort.
Khas Mahal and Sheesh
Mahal
Both
Jahangir (Akbar's son) and Shahjahan (Akbar's grandson) were
enamored of the sensuous effect of white marble; in their quest
to make buildings of marble, they demolished many of Akbar's red
sandstone structures. In the Khas Mahal enclosure (built
by Shahjahan), later Mughal architecture comes of age. The Khas
Mahal is an airy edifice, overlooking the specially laid Angoori
Bagh (grape garden; a simple formal Mughal garden). Windows
closed with jali (intricately perforated decorative stone
screens) present fabulous view of the riverfront. The two
copper-roofed pavilions built in the Bengali traditions were
meant for prominent ladies of the harem. On three sides of this
garden are residential quarters of women. Sheesh Mahal
(mirror palace) or the royal hammam (bath) is decorated with
myriad glass pieces and a central fountain.
Musamman Burj or Octagonal Tower
Musamman
Burj is the most romantic, ornamental pavilion wherein lived two
most beautiful and powerful Mughal queens-Nurjahan and Mumtaz
Mahal. The quality of pietra dura decoration is fabulous
and perfect. Here Shahjahan spent his last few years as a
captive held by Aurangzeb. Shahjahan languished and dies looking
at the Taj Mahal.
Diwan-I-Khas
Diwan-I-khas
(Hall of Private audience) is a small hall with double marble
columns inlaid with pietra dura decoration. Shahjahan
built the structure between 1636 and 1637 and it is where the
emperor used to receive the important dignitaries. On the
terrace, in front of this hall, are two marble thrones. The
black throne belongs to Jehangir who, as Prince Salim in
rebellion against Akbar at Allahabad, had ordered it for
himself. Below this terrace lies the grand courtyard of Machchi
Bhawan, meant for the harem functions. On another side stands a
small mosque built for Shahjahan by Aurangzeb.
Diwan-I-Am
Diwan-I-Am
(Hall of Public audience)was again a building constructed by
Shahjahan who replaced an earlier wooden structure. The arches
are covered with white lime polished to a smooth finish. The
triple arched royal canopy has lavish pietra dura ornamentation.
Here was kept the famous Peacock Throne ordered by Shahjahan. He
met officials and commoners and listened to the petitioners in
the Diwan-I-Am.
Moti Masjid

Further north
stands the Moti Masjid (pearl mosque), its three domes in
white marble raising their heads over the red sandstone wall.
Moti Masjid is known for its sheer grandeur and perfect
proportions. |